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Review: Unusually, Duke Pearson spent his entire career releasing music on just one label: the legendary Blue Note imprint. Although he passed away in 1980 after a long battle with multiple sclerosis, his final album was actually released in 1996.
It's this posthumous set - made up entirely of rediscovered recordings made between 1968 and '70 - that here gets the deluxe reissue treatment. It remains a superb set, with Pearson flitting between bluesy soul-jazz, bossa-nova-tinged Latin jazz breeziness, groovy post-bop workouts, samba-soaked soundscapes and breathtaking beautiful cinematic jazz (see the inspired 'Theme From Rosemary's Baby'). This expanded edition not only includes previously CD-only tracks, but also an unheard gem: the melancholic, Vibraphone and flute-laden lament, 'Dialogo'. Review: If you dig disco but have yet to explore the bulging back catalogue of De-Lite Records stalwarts Crown Heights Affair, this double-pack could be exactly what you need. It draws together a quintet of the group's most potent and essential moments, beginning with the soaring mid-tempo brilliance of 'Say A Prayer For Two'. That sublime chunk of disco-funk perfection is followed by the buzzing horns, walking bass and high-register vocals of 'Galaxy of Love' and the punchy disco stomp of 'I'm Gonna Love You Forever', where relentless horns and spacey synth flourishes do their best to whip listeners into a frenzy. The second 12' offers another chance to own 'Dreaming A Dream (Goes Dancin')' and the bouncy disco-funk epic that is 'Dancin' (Disco mix)'.
Review: For their latest essential seven-inch single, the Dynamite Cuts crew has raided Chicago Gangsters' 1975 debut album, 'Blind Over You'. Neither of the two tracks on offer has been featured on a '45' before.
On the A-side you'll find 'Gangster Boogie', a seriously heavy, Clavinet and saxophone-laden funk wriggler whose snappy drum break has appeared on numerous hip-hop jams over the years (including LL Cool J's 'Mama Said Knock You Out'). On the flip you'll find the even more riotous and life-affirming funk-rock masterpiece 'Why Did You Do It'.
Rich in rasping horns, wild organ lines and gnarly guitar riffs, it's just crying out to be played loud over a heavy soundsystem. Review: For their latest release, Matasuna Records has put away their re-editing scalpel and instead decided to serve up two obscure old gems by Peru-based Argentine artist Enrique Lynch. Both tracks were recorded in the early 1970s and have become sought-after items amongst the Afro-Tropical collecting community. Having been re-mastered from the original master tapes, A-side 'African Bump' - a jazzy, sun-soaked affair notable for its fantastic use of wah-wah guitar, Blaxploitation grooves and high-register horn solos - sounds better than ever before. The same could be said for Lynch's brilliant cover of The Nite-Liters' funk classic 'K-Jee', which adds a little South American sunshine to the familiar grooves and celebrated horn lines. Review: This 20-track album features three brand new remixes of highly revered production duo Chic, by Grammy-award nominated producer Dimitri From Paris. For this project, Dimitri was entrusted with the original studio masters so alongside the much loved essentials remastered here are remixes and previously unreleased instrumentals.
Through disco grooves and meticulously reverent production, this album is a demonstration of how captivating orchestral music can be as compared to today's computer generated offerings - and all this is the work of one Frenchman's golden touch! Review: Original copies of T.Z Junior's bubblegum-boogie cut 'Sugar My Love' are hard to come by outside of the artist's home country of South Africa. It's been that way since the single was first released on Roy B Records in 1985, hence this tidy reissue from the on-point Jamwax label. The title track remains a breezy, melodious, cheery and soul-flecked treat, with T.Z Junior delivering a brilliantly evocative lead vocal over bustling bubblegum synths, delay-laden machine drums and an inspired electrofunk bassline.
'Are You Ready For Love', meanwhile, may not be quite as celebrated but is equally as impressive. It's the kind of sun-kissed 'bubblegum' treat that would sound perfect blasting out of a soundsystem on a hot summer's day. Review: Disco Dub Band's 'For The Love of Money', a one-off collaboration between producer Davitt Sigerson and reggae musician Mike Dorane, has long been considered something of a classic by those who like their disco to come with a big dose of dub-wise flavour. Here the instrumental O'Jays cover, which originally appeared on the Movers label in 1976, is given the remix treatment by long-time fans Mr Bongo. The superb A-side, in which Dorane's instrumental talents take centre stage, naturally comes accompanied by the frequently played Dub interpretation, a typically wild and bass-heavy affair that sounds like it was mixed 'live' in one take in true Lee Perry/King Tubby style. If it's not already in your collection, it should be.
Review: Emotional Rescue previously dived into the plush, soulful and verdant sound of Jaki Whitren and John Cartwright with the reissue of their essential International Times album back in 2013. Sadly Whitren and Cartwright passed away two years ago, and this 7' of previously CD/digital-only material materialises in tribute to these wonderfully talented souls. 'That Will Be That' is an effervescent boogie jam with rich synths that interplay beautifully with Whitren's stunning vocal, while 'This Time' takes a starkly opposite approach with just the most delicate of keys lingering behind Whitren's powerful, echoing vocal. It's a poignant note of remembrance for two gifted musicians who shone their light into the world. Review: In the early '70s, Cymande made a trio of killer albums that remain stone cold classics to this day. For this reissue 7', Mr Bongo has dipped into two of those albums - 1973's Second Time Around and 74's Promised Heights - and dug out two of the best-loved, most-sampled cuts.
On the A you'll find 'Fug', a low-slung, bassline-driven party full of killer drum breaks, righteous horn solos and, and conscious lyrics that call for global action against inequality (little, it seems, has changed politically since). It's one of those you should really own, as is the ever more familiar flipside 'Brothers On The Slide', which boasts one of the most recognizable grooves in the history of dance music. Review: For this 7' single, label boss Nik Weston took a deep dive into the vast back catalogue of Discos Fuentes, Columbia's oldest record label (it was founded in 1934, fact fans). On the A-side you'll find 'A La Memoria Del Muerto' by long serving salsa outfit Fruko Y Suis Tesos, a typically jaunty, dusty and celebratory workout that was originally released on a now hard-to-find 7' single sometime in the early 1970s. Over on the B-side, Weston takes us on a trip to the early days of Cumbia via El Combo Los Galleros's brilliant 1963 album cut 'Soledad', which still sounds heavy, punchy and intoxicating 44 years after it was recorded, and has been a staple in the bags of top selectors such as Hunee, Red Greg, Kai Alce, Dom Servini & Craig Charles from BBC 6!
Review: The latest dig from Best Record Italy's eternal mission to release the finest Roman musical manna features noted jazz man Pino Presti taking on Manu Dibango's eternal party jam 'Soul Makossa'. Presti's interpretation uses oodles of gleaming 80s synths in place of the original traditional instrumentation, but fear not as the iconic brass section remains a real-world force, and sounds mighty fresh with it. Following up that cover is a sumptuous version of 'Ain't No Sunshine' which is aimed square at the heartstrings of the most Balearic cruisers. 'I Call Your Name / Come Back To Me' gets even smoother, the vocals capturing Mediterranean getaway romance to perfection.
Review: For those of a certain age, Gwen McRae's 'All This Love That I'm Givin' will always evoke memories of Cassius' French Touch classic 'Feeling For You', which sampled it heavily. It remains a killer record in its' own right, though, as this timely reissue proves.
Originally released in 1979, it sees McRae at her powerful best, delivering a potent message to an errant lover over a killer, low-slung disco-funk groove. It's one of the tracks that should really be in any discerning funk, soul or disco DJ's collection. Flip for original B-side 'Maybe I'll Find Somebody New', a breezier chunk of laidback soul with a slightly Southern lilt. It's good, but pales into insignificance compared to the brilliant 'A' side. Review: Soundway offer us a new compilation featuring 20 rare tracks from the currently much talked about world of Nigerian pop music; a zeitgeist of their early 1980s club culture.
The country's economy was booming at the time and so was its recording industry. Strongly influenced by '70s disco and funk, this new generation were, as the liner notes explain 'Eager to sound as American as possible with no hint of the fervour for afro-beat, afro-rock and afrocentric thinking that the 1970s had thrown up'. The original albums that many of these singles came from go for exorbitant prices online, so here's a chance to snap up some of the periods finest music, remastered across three 12's. Review: Mr Bongo recently served up a tasty 7' single featuring two of Cymande's best-loved tracks, 'Fug' and 'Brothers on the Slide'. Here they repeat the trick, slapping the two most-played tracks from the British band's incredible 1972 debut album, Cymande, on one '45'.
The A-side boasts 'Bra', a killer chunk of funk/soul/reggae fusion with one of the most recognizable grooves around. Hip-hop heads will know it inside out, since DJs have been doubling up with copies of 'Bra' since the mid 1970s. On the flip you'll find 'The Message', a sublime, slightly more spaced out reggae-funk workout rich in snaking sax lines, memorable vocals and a groove so distinctive it couldn't come from any other band. Review: Fizzing funkateers Basement Freaks can usually be relied upon to bring the dancefloor goods. That's certainly the case on this dancefloor-focused seven-inch. On the A-side they rework one of their own classic cuts, offering a punchier and heavier take on 2016 Kylie Auldist collaboration 'White Hot'.
Rich in flash-friend funk guitars, crunchy breaks and life-affirming horns, their new revision is undoubtedly more DJ-friendly than the original album version. Turn to the flip to hear their tidy new take on Smoove collaborator John Turrell's 2013 cut 'Won't Get Fooled Again', which they cannily refurbish as a wobble bass-propelled chunk of P-funk flavoured dancefloor soul. Review: Expansion's latest must-have release brings together two killer cuts from Sylvia Striplin's brilliant 1981 album 'Give Me You Love', which originally appeared on Roy Ayers' Uno Melodic label. Ayers produced and arranged both cuts alongside regular collaborator James Bedford.
'Give Me Your Love' is, of course, something of an anthem in underground disco circles, with Striplin's breathy and emotionally rich vocal rounding off a superb cut that's rich in crunchy Clavinet lines, walking bass, snappy drums, sensual synth doodles and rising horns. Flipside 'You Can't Turn Me Away', meanwhile, is closer in sound and vibe to Roy Ayers' jazz-funk cuts from the period, which is no bad thing. Review: If online chatter is to be believed, this tasty 7' from Floating Points' Melodies label is one of the most keenly anticipated disco releases of the year. For starters, the A-side boasts an obscure (but in demand) solo production from Manhattan Transfer keyboardist Yaron Gershovsky. 'Disco Baby' is a prime chunk of jaunty, jazz-funk influenced disco-funk, the keyboardist's own jammed-out riffs and solos taking pride of place in the mix alongside punchy horns and a lolloping groove. Arguably even better, though, is Floating Points and Red Greg's flipside re-edit, which plays around with the original version's all-too-short drum break before letting the synths, keys and horns really sparkle. Review: Although Brazil's Banda Black Rio remain infamous for the albums that they recorded in the late 1970s, two beautiful LPs that rode that singular wave of samba-ridden jazz dance, 1980's 'Miss Cheryl' is an outstanding tune, and we can hear why RCA picked it up back in the day.
Mr Bongo provides us with the reissue here and, if you haven't heard it, it's an absolute delight which switches between disco, psych, and something inherently Brazilian - there's even a wacky synth in there, for good measure. Compatriot Miele appears on the flip with 'Melo Do Tagarela (Rappers Delight)', a sublime slice of early, electronic boogie that sounds as fresh today as it did back at the tail end of the 70s.
A devious little reissue that you should own. Review: Bjorn Wagner's Bacao Rhythm & Steel Band combo recently returned from a two-year hiatus with a killer new album, 'The Serpent's Mouth'. It's that set - a glorious fusion of funk, soul, disco, jazz and Trinidadian steel band music - from which these two top tracks are taken from. A-side '1 Thing' is particularly glorious.
As one quick listen to the clips will confirm, it's a riotous instrumental cover of the Amerie R&B classic of the same name, which replaces the singer's vocals with ear-catching steel drums. The same killer combination of flash-friend funk guitars, bustling drums and tropical steel drum sounds can also be heard on B-side 'Hoopla Hoop', which also boasts some suitably fuzzy horns. Review: REPRESS ALERT: Arriving at their fourth release, Emotional Rescue's knowledge of forgotten musical gems and their commitment to give them the chance of wider appreciation they fully deserve cannot be in question! After digging out that Bob Chance classic, the focus switches to something of an equally balearic nature with the release of Jaki Whitren & John Cartwright's lost folk rock album International Times. Originally released as a private press on the obscure French label Living Records back in 1983, this eight track album is filled with dusty soul nuggets which are given extra life by the silky vocal stylings of Whitren - formerly a backing singer for Alan Parson. Opening track 'Stay Cool' sounds quite ahead of it's time, whilst there are some true dancefloor gems for the more adventurous DJs out there, such as the title track and the laid back bump of 'Go With The Flow.'
Review: Mukatsuku's latest must-have release offers another opportunity to own early Freddie Cruger AKA Red Astaire favourite 'Take It Personally'. The wonderfully dusty, smoky and life-affirming hip-hop-soul cut first appeared as a Swedish only CD single in 2001, before later being included on the Stockholm stalwart's 2006 debut album 'Soul Search'.
This time round, the inspired original - all head-nodding beats, sumptuous strings and sugary-sweet vocals from guest Desmond Foster - comes accompanied by a previously unreleased instrumental take. This vocal-free version is superb, offering listeners a chance to wallow in the quality of the Swedish veteran's bumpin' beats and intoxicating, head-in-the-clouds production.
In the record box of Danny Krivit,DJ Spinna, Kid Koala and more! Only 300 hand-numbered copies and strictly no repress. Juno copies come exclusively in additional hand stamped kraft paper inner sleeve and branded card outer sleeve. Review: Just 300 copies of this tasty, club-ready 7' single from the Soopastole Edits stable exist, so you'll have to move fast to secure a copy. As usual, Jalepeno Records' regular Soopasoul is at the control, using his trusty scalpel to deliver two hot-to-trot interpretations of a lesser-known cut from the 'Sex Machine' sessions. On side A, you'll find 'Shake Your Money Maker (Part 1)', where Maceo Parker's killer saxophone solos rise above Soopasoul's slightly tightened up version of the JB's killer groove. Flip to the B-side for more sax solos and a groove that mines some of the original track's more percussive sections for hip-swinging, toe-tapping thrills.
Review: Galaxy Sound Co hit hard with two more edits. Both taking from triple figure sources; on the A we go back to 1968 for a chunky big funk fix on Jake Wade & The Soul Searcher's only known single 'Searching For Soul' (which was famously sampled by Beyonce on 'Suga Mama'). Bangini drums, horns, and a sweet bass line, the guys knew how to lay it down. Flip to the B we're blessed with the sweltering garage rock melter 'Show-stopper'. Powerful and sleazy; this packs a punch now more than ever, and just goes to show how much music was under the radar at that time.